Object:
Friendship Quilt
Catalog #: 2004.63.1
Donor: Sue Caraway
Folks often wonder how an object makes its way to the Museum. Sometimes the path
is straight, sometimes it’s more circuitous. For one particular friendship
quilt, it all began when a dear friend of the Museum noticed a posting on a
genealogical web site and sent along the link.
In 2003 Sue Caraway purchased 15 friendship quilt blocks at a California antique
store. Intrigued with the names embroidered across the center of each colorful
block, she began trying to unravel their history. She found one of the names,
Polena Holland, in the Social Security Death Index at
RootsWeb.com; a few hours
later Mrs. Caraway had tied Holland and six other names with Benton County. She
posted her results on the website’s newsletter under the title of “Quilting
Together a Story.”
Mrs. Caraway soon heard from several folks who could shed more light. From Velda
Hinton she learned that Della Crone and her cousin Polena were the grandaughters
of James Albert Crone and Nancy Lydia Watts. The Crones moved with their young
children from Georgia to Arkansas in 1870; Nancy died along the way and was
buried in Alabama. Polena married Barry Louis Holland in 1908. Talitah “Jimmie”
Crone was Polena’s mother.
From Elaine Dake she learned that the folks named on the quilt blocks all lived
in the Maysville area, in the western part of Benton County near the border with
Oklahoma. Della Crone lived about a quarter of a mile from the Baptist church
and went there every Sunday morning to light the fire in the woodstove.
The Museum did a bit of digging of its own and sent Mrs. Caraway some historical
info as well. Both Mary Locke and Minnie Johnson are buried in the Fairmont
Cemetery just north of Springtown. Buried in the Maysville Cemetery are Della
Crone, Polena Holland, Callie Payne, and Robert Payne. Della Crone, who never
married, was the Crone family historian. She owned a farm at Maysville and was a
member of the Baptist church for 57 years.
Doriece
Chastain was the youngest of 11 children. Her family homesteaded in the Fairmont
district, near Springtown and Gentry, Arkansas. Doriece taught at the Friendship
School, south of Siloam Springs, Arkansas, in 1908; she later taught in Seminole
County, Oklahoma, where she met and married her husband, W.I. Aldridge, in 1910.
It was he who called her “Sally” although she was called “Dode” by her family
and “Shug” by her mother. Doriece returned to teaching after having four
daughters. In 1931 the Aldridges moved to Apache, Oklahoma.
Melissa Chastain was Doriece’s sister. “Lissa” and several members of the
Chastain family moved to Cortez, Colorado, to homestead. Lissa was married to
Robert Shields who died around 1900 of “quick” consumption. After the couple’s
five children were grown, “Aunt Lissa” lived in a number of her relatives’
households in Benton County and Missouri, helping out where needed.
Knowing some of the details of some of these folks’ lives can help us date the
quilt blocks, up to a point. Because Polena wrote her last name as Holland
rather than Crone, we know the quilt was made sometime after her marriage in
1908. But several members of this group moved in and out of the Benton County
through the years; without knowing when they lived here or when some of them
died, we can’t place an end date for the manufacture of the blocks.
Trying to date the blocks based on their fabrics is a bit trickier as many of
the patterns and colors are typical of the early 1900s. With its medium blue
color and printed white wreaths, Callie Payne’s block in the top right corner is
the oldest of all the fabrics, dating to the turn of the 20th century or even
earlier. The block just below Callie’s may have McPalmer embroidered on it but
it’s hard to tell, because the signature seems to have been written with a shaky
hand. Its rather loud blue and lavender plaid pattern may be the newest of all
the fabrics, possibly dating to the 1920s or 1930s. Overall most of the fabrics
are rather light in tone, complimenting the colorways frequently chosen by
quilters in that later time period.
One more avenue for assigning a date may be the pattern of the blocks.
Although
we don’t know when this particular design was first created, we do know several
of the instances when it was published. In style it is very similar to
“Friendship Chain,” except the center cruciform design is made up of a rectangle
and two squares rather than five squares. The difference may be due to an
incorrect pattern identification on the Museum’s part or to the blocks’ makers
themselves, who may have modified the pattern to provide room for a signature.
The pattern for “Friendship Chain” was published by Nancy Cabot in April 1934.
“Nancy Cabot” was the nom de plume for Loretta Leitner Rising, who wrote
a syndicated column for the Chicago Tribune in the 1930s. Hundreds of
Nancy Cabot patterns were available through mail order. Another mail-order
source for this pattern was through the Manning Publishing Company of Chicago
which published the periodical Woman’s World during the 1920s and 1930s. When this
particular pattern was featured in 1931, it went by the name of “Cross Patch.”
The pattern was also called “Album” when it was published by the Kansas City
Star in October 1935. When it first started printing its quilting column in
1928, the Star used patterns syndicated by Ruby Short McKim who had a
mail-order studio in Independence, Missouri. But by the time this pattern was
published, and up through 1960 when the column was finally retired, traditional
and new designs were offered by the Star’s staff and its readers. Lots of
Benton Countians subscribed to the Star and from time to time had their
patterns published.
It’s possible that the women who made the quilt blocks knew the pattern already
or saw it in the Star. Why they made the blocks is another matter. As several
of them were related to one another and they all lived in the same community,
it’s likely that the women belonged to the same church or were members of a
local home demonstration club. Such clubs were very active in Benton County in
the 1920s and 1930s and members often made friendship quilts of this sort.
Based on all the clues available, it seems reasonable to assume that the blocks
were made in the late 1920s or 1930s. The quilt was itself was made in 2003 by
Sue Caraway, who found the blocks in an antique store. A short time after she
received the Museum’s contributions to her genealogical treasure hunt, Mrs.
Caraway generously offered the quilt to the Museum so “it could be displayed and
shared with friends and descendants of the makers.”
What follows are the full names of the people listed on the quilt blocks, along
with their birth and death years, if known. If anyone has further information to
share, please send us an email. After all, that’s how we heard about the quilt
in the first place!
S.E.
Abercrombie (possibly Sarah Anne Abercrombie, 1853-1946) Sally Doriece Chastain
Aldridge (1887-?) Della Crone (1885-1967) Talitah James “Jimmie” Crone
Deatherage (?-1944) N. Polena Pearl Crone Holland (1888-1972) Hazel B. Johnson
Minnie Olive Johnson (1864-1937) Mary A. Locke (1851-1940) Mary Lott ______?
McPalmer?
Callie Payne (1862-1943)
Robert H. Payne (1856-1937)
Melissa “Lissa” Shields (1872-?)
Marie Story
Birdia Payne White
CREDITS
Cemeteries of Benton County, Arkansas, Northwest Arkansas Genealogical
Society (1974-77); Simon Sager Celebration, Maggie Smith (1986); History of Benton
County, Arkansas, Benton County Heritage Committee (1991); Encyclopedia of
Pieced Quilt Patterns, Barbara Brackman, (1993); and personal emails from Sue
Caraway, Elaine Dake, and Velda Hinton (July 2003).